This document provides guidance for the production and post-production of High Definition (HD) programmes. It is focused on the needs of UK broadcasters.
In this special webcast, hosted by the DPP Next Gen Production Network and the Avid Community Association, we brought together experts to explore whether the editing process has fundamentally changed.
In this special webcast, hosted by the DPP Next Gen Production Network and the Avid Community Association, we bring together experts to explore whether the editing process has fundamentally changed.
CES 2022: What consumer trends mean for the media industry unwraps the trends from this year’s exhibition and compares them against 13 years of previous CES analysis.
The second webcast in our series, 'The Cloud for Media', will explore the different phases of post production, and the different cloud-based tools that can be used in each.
We brought together producers and virtual production experts to ask when virtual production should be used, what it costs, and how to get the best from it.
In this webcast we explored the different types of virtual production, the main features of each approach, the benefits and challenges, as well as the future of virtual production.
The second session in this two-part guide to shooting in virtual environments will explore when virtual production should be used, what it costs, and how to get the best from it.
The first session in this two-part guide to shooting in virtual environments will explain the different types of virtual production, how they work, the benefits, and the challenges.
Based on input from a range of industry experts, we uncover the best practices in delivering live productions remotely – both for low cost and premium events.
Live Remote Production defines, for the first time anywhere, five architectural models for producing live content. The report then examines the benefits of each model, identifying which will become dominant.
From cloud-based studios to remote editing, discover what’s new and exciting in the world of remote production tools by rewatching this DPP Innovation Week event.
From cloud-based studios to remote editing, discover what’s new and exciting in the world of remote production tools at this DPP Innovation Week event.
From a small digital agency to a Hollywood studio, how are production companies using the cloud as a key production tool? And are they gaining a competitive advantage?
How do production companies use connectivity? What do they spend? What quality do they get? And what role could connectivity could have in their future?
What are the key considerations when producing UHD content? Productions teams can learn about current industry best practice, enabling a proactive approach
The new IBC 2024: Demand vs Supply report evaluates how well the market is responding to the needs of customers in the media and entertainment industry.
The 2023 festival brought together over 200 leaders from the customer and vendor communities to explore the strategies and technologies that are powering today's content supply chain.
Join the DPP in person in New York for the only industry event that brings together customers and suppliers to explore the latest in media supply chain technology and ideas.
Join the DPP in person in Dulles, USA for the only industry event that brings together customers and suppliers to explore the latest in media supply chain technology and ideas.
How will the media industry grow and adapt to rapid change and colossal demand for content in turbulent economic conditions? Find out in the DPP 2022 Predictions.
After a sudden change in ways of working around live outside broadcasts, new content creators are establishing their own ways of working to produce live content. So what are the characteristics of the new live working environment?
The EBU's annual rendezvous for experts dealing with IP-based media production infrastructure, IT networks and storage solutions for broadcast media content.
On Day 4 our supplier sessions cover Media Processing and Content Enrichment. The CEO of Bitmovin, Stefan Lederer, joins us, plus end users tell us what they need.
Day 3 sees our suppliers delving into AI & Analysis, and Monitoring & Metrics. We've also got Chris Johnson, CEO at Convergent Risks, and more issues to solve from our end users.
On Day 2 our supplier pitches are all about Cloud & Infrastructure. Plus there's a CEO session with Brightcove, and your first opportunity to Meet the Customers.
Discover new and exciting products and services, understand the market and form partnerships. DPP Innovation Week features supplier pitches, CEO sessions and opportunities to meet the customers.
Discover new business engagements with DPP Innovation Week, and take part in the first-ever research into effective innovation in the media industry with Making Innovation Pay.
Replay this Design for Tomorrow webcast exploring how the highest risk part of the industry, Production, can survive the trauma of 2020 and be ready for next time.
2020 has been traumatic for production. How can the highest risk part of the industry be ready for next time? Find out at this special Design for Tomorrow webcast.
This Design for Tomorrow report explores how the events of 2020 have impacted the world of production, and how companies will now need to set up for success in the future.
DPP Innovation Week is an opportunity for DPP members to showcase their latest innovations, and for technology users to learn about what's new, without needing to do hours of research.
In the wake of the Coronavirus pandemic the story commonly told is that the media industry moved to remote working quickly and well; and this is true. But no-one has reported what happened next - until now...
In response to the Coronavirus pandemic, the media industry moved to remote working quickly and well. But what happened next? We uncover a rollercoaster of anxiety and uncertainty in this special report.
An example file showing a complex Delivery Structure from the output of a Newsrooom MAM system at the Delivery stage where clips have unique rights/restrictions.
An example file showing the output of a local field edit in the Acquire & Finish stage, with an in-field edit comtaining clips originating from multiple sources.
An example package made up of clips from multiple sources at the Acquire & Finish stage. One clip is original, one copied from another device, and one from a new device.
An example file showing the output of a local field edit in the Acquire & Finish stage with an in-field edit and clips originating from the same source
An example file showing the output of a Newsroom planning system at the Planning stage. The story has been assigned to 2 devices both receiving the same metadata.
Practical tips for anyone delivering an end-to-end digital production. Plus, a checklist to help ensure the smoothest route through the production jungle.
The DPP is pleased to announce the publication of version 2.0 of the AS-11 X6 commercial, sponsorship, and informercial delivery documents. These documents continue to evolve the DPP’s pioneering work to improve end-to-end digital working for broadcasters.
Discover the highlights from Media Supply Festival 2025, where customers and suppliers in the media supply chain came together to share the latest insights.
Join the DPP in person in New York for the only industry event that brings together customers and suppliers to explore the latest in media supply chain technology and ideas.
The Executive Summit is a closed, invitation-only event for speakers at the 2024 Leaders’ Briefing featuring selected executives from the content provider community.
The DPP has launched today the version 7.0 of the AS-11 programme delivery documents to support broadcasters and content providers delivering HD programmes.
As an active participant in the DPP Committed to Sustainability programme, Limecraft has demonstrated its dedication to making a meaningful environmental impact.
At this special event, in partnership with Signiant, we hosted a breakfast alongside high quality networking and five short, sharp thought leadership sessions.
DPP research The State of Media Technology Security 2024 explores how content providers and industry technology providers are responding to growing cyber threat.
Kristan Bullett, CEO of Humans Not Robots, on how technology suppliers and buyers can adopt sustainable practices and to contribute to shaping the industry's future
The DPP's third European Broadcaster Summit brought together senior executives from major European content providers and their supplier community to explore common challenges.
More than 20 leading European media organisations from 14 countries will participate in the third European Broadcaster Summit, where they will share key messages with industry partners.
Jess will work directly with the executive team to lead the DPP’s member success programme, helping member companies to get the most out of the DPP’s activities.
The DPP explored Hybrid Working in the Media Industry in an in-depth research report; here are five things that managers need to know about the impact on an organisation's work and workforce.
Join the DPP for this exclusive online Sustainability Knowledge Exchange, where experts from major broadcasters and leading media technology suppliers will provide updates about their sustainability plans, share ideas about upcoming initiatives, and explain how they are working towards reducing their environmental impact.
The research explores the state of hybrid working in the media industry post pandemic by surveying 80 media and technology companies and gathering information from three workshop sessions with more than 50 subject matter experts.
The writers' and actors' strikes in the States have brought production to a halt again. So how can one part of the media industry be so apparently unconcerned?
At the Media Supply Festival 2023, industry leaders discussed how artificial intelligence was becoming a foundational technology for content providers and tech suppliers.
This report summarises 45 insights that came from our 15 sessions at the DPP Media Supply Festival 2023 in New York. The annual event takes the temperature on the strategies and technologies that are powering the content supply chain.
How well are technology suppliers meeting the demands of their customers in the media industry? For the first time, the DPP has reported from the NAB show.
The DPP's second exclusive conference event brought together broadcasters from across Europe to share and discuss key messages with their supplier community.
More than any other content type, news is experiencing disruption in formats and outputs. In Making The News, experts were brought together to examine the technology and workflow changes necessary to keep up.
At the DPP European Broadcaster Summit, broadcasters from across Europe came together to share and discuss key messages with their supplier community. This report provides a summary of the themes that emerged.
The final webcast in our series, 'The Cloud for Media', examines the different elements of a large scale streaming solution, from video delivery to subscriber management and user experience.
The third 'The Cloud for Media' webcast will bring together experts to look into the different use cases for playout and why media companies are moving it into the cloud.
The first in our four 'The Cloud for Media' webcasts focuses on automation, from the deployment and potential of automation to how it's enabling the direct to consumer revolution.
The DPP has collaborated with SMPTE® on the publication of a new pair of SMPTE Recommended Disclosure Documents resulting in adoption by the BBC this summer.
The Business of Live explores what an explosion of live content means for the professional media industry and how it has become the ultimate direct to consumer product.
Come and celebrate the outstanding talent, skills, expertise and achievements of exceptional women across the broadcast technology and services sectors!
IMF for Advertising increases speed and efficiency, and decreases storage requirements. Find out how you can get involved in live tests of real ads from creative agencies to demonstrate these benefits.
Content Preparation, the second report in our Design for Tomorrow series, identifies the key success factors for the design of content preparation operations in an unpredictable media market.
This DPP Innovation Week event is all about exchanging content over IP, and the tools and services that can help you to solve the many complex challenges in this area.
At the DPP AI in Media Challenge we heard pitches from the startup and tech community about AI solutions to real business problems expressed by content providers.
Ahead of the AI in Media Challenge we held an exclusive event for the solution providers taking part in the Challenge. Find out what they discussed here.
Design for Tomorrow, our next major research project, will be an in-depth look at the key principles that will increase resilience and growth in the post Coronavirus media economy.
Mark Harrison and Abdul Hakim join this CDSA event to discuss setting the standards and systems for remote access, and content security vs. information security
Our Next Gen Supply Chain report explores how some major content companies have adopted software defined, cloud led supply chains - and asks what this approach could mean for the media industry more widely
Watch our webcast, in which broadcasters, production companies and vendors shared their knowledge and experience regarding the impact of COVID-19 on the media industry.
A live webcast from the DPP and the IABM, bringing together broadcasters, production companies and vendors to share their knowledge and experience regarding the impact of COVID-19 on the media industry.
The DPP has today released two documents that extend the functionality of the Interoperable Master Format (IMF) through the development of an Auxiliary Image Sequence Plug-in.
How will smart media companies make their business decisions in 2020? How will a broadcaster’s CTO decide which new technology areas are worthy of their team’s attention?
The DPP in collaboration with NABA has today announced the publication of the second SMPTE Technical Specification (TSP) for the IMF for broadcast and online use cases.
The introduction of the Interoperable Master Format (IMF) within the media industry has brought a revolution to media workflow processes for film and television.
The DPP has announced today, in a dedicated DPP session at IBC, that UK broadcasters BBC, ITV and Channel 4 will move to file-based programme delivery from 1 October 2014.
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