Data analytics and exploitation is one of the threads which ties together Rights Management, Content Monetisation and Content Protection in the DPP's Making Media Pay series.
The only thing more important than your content is your audience. Catch up on how to target, engage and analyse viewers from this DPP Innovation Week event.
The report explores how the market is responding to the needs of customers through key themes that shaped the conversation at IBC 2025: Agentic AI, AV Broadcast, and Data Driven Content.
This event will examine one of the most talked about issues in media companies today - the need to integrate a huge range of software tools to deliver end to end business value.
This recommendation aims to reduce friction in the media supply chain at the points of content interchange, specifically around the exchange of metadata.
Achieve the resilience and responsiveness now required of a modern media company, maximise the value of your archives, and ensure they’re fit for an uncertain future.
Managing Media Inventory, the third report in our Design for Tomorrow series, identifies the key success factors for the design of future facing content collections and repositories.
An extensive piece of research into the global supply of content to VOD platforms, identifying pain points and exploring formats and standards. What practical steps can be taken to reduce complexity and enhance efficiency in this vital artery of our industry?
The DPP IMF for Advertising project group have been exploring the business benefits of making improvements to workflows in the video advertising supply chain.
The DPP has published a new report for its Members that looks in detail at how AI is being applied in the media industry, and where future potential lies
An example file showing a complex Delivery Structure from the output of a Newsrooom MAM system at the Delivery stage where clips have unique rights/restrictions.
An example file showing the output of a local field edit in the Acquire & Finish stage, with an in-field edit comtaining clips originating from multiple sources.
An example package made up of clips from multiple sources at the Acquire & Finish stage. One clip is original, one copied from another device, and one from a new device.
An example file showing the output of a local field edit in the Acquire & Finish stage with an in-field edit and clips originating from the same source
An example file showing the output of a Newsroom planning system at the Planning stage. The story has been assigned to 2 devices both receiving the same metadata.
The DPP and its News Exchange working group has been busy collaborating on the development of a minimum metadata specification for exchanging news content between UK Broadcasters and agencies.
A robust process for product testing and certification which will provide manufacturers the opportunity to put their products through an external assurance check against the DPP’s criteria.
A unique leadership engagement conference which brings together senior executives from major European content providers and their supplier community to explore common challenges.
ISE is growing while broadcast shows are shrinking. Is AV Broadcast is now shaping the future of production? And what does this mean for Media and Entertainment industry?
New DPP Media Tech CEO Survey research reveals the perspectives of Chief Executives at major technology providers serving the media and broadcast industry.
Demand vs Supply provides a unique snapshot of the media and entertainment industry’s two largest trade shows, charting how customer needs are evolving, and how suppliers are responding.
Join the DPP in person in New York for the only industry event that brings together customers and suppliers to explore the latest in media supply chain technology and ideas.
The DPP's fourth European Broadcaster Summit brought together senior executives from major European content providers and their supplier community to explore common challenges.
A unique leadership engagement conference which brings together senior executives from major European content providers and their supplier community to explore common challenges.
At this special event, in partnership with Signiant, we hosted a breakfast alongside high quality networking and five short, sharp thought leadership sessions.
August 2024 episode of the DPP Podcast features Mediagenix product and marketing leaders discussing the 'human-in-the-loop' approach to product strategy and development.
Join the DPP in person in New York for the only industry event that brings together customers and suppliers to explore the latest in media supply chain technology and ideas.
Kristan Bullett, CEO of Humans Not Robots, on how technology suppliers and buyers can adopt sustainable practices and to contribute to shaping the industry's future
At the DPP's 8th annual Leaders' Briefing, senior executives from 33 major media organisations shared exclusive intelligence about their 2024 priorities.
12 media companies contributed to in-depth survey interviews to explore future preparedness. Discover which tech investments are leading to actual business benefits in 'Future Ready Media Organisations'?
The DPP's special pre IBC event provided a great breakfast, high quality networking and four short, sharp thought leadership sessions for senior leaders in Amsterdam this September
The writers' and actors' strikes in the States have brought production to a halt again. So how can one part of the media industry be so apparently unconcerned?
In its Making Media Pay series, the DPP explored how media companies around the world are looking to maximise the revenue generation from their valuable media assets. Here, we summarise 5 key steps to optimise content monetisation.
At the Media Supply Festival 2023, industry leaders discussed how artificial intelligence was becoming a foundational technology for content providers and tech suppliers.
This report summarises 45 insights that came from our 15 sessions at the DPP Media Supply Festival 2023 in New York. The annual event takes the temperature on the strategies and technologies that are powering the content supply chain.
Join the DPP in person in New York for the only industry event that brings together customers and suppliers to explore the latest in media supply chain technology and ideas.
At the DPP's 7th annual Leaders' Briefing, senior executives from over 30 major media organisations shared exclusive intelligence about their priorities.
At the 2022 DPP Media Supply Festival, over 160 customers and suppliers were brought together to explore the transformation of media supply processes. The DPP Media Supply Manifesto 2022 summarises the key themes, challenges, and changes that unfolded.
DPP's Making Integration Work report series draws parallels between media workflows and the IT industry’s approach to enterprise resource planning suites.
Industry experts explored what a strategic approach to software and data integration involves, what the benefits are, and who has the expertise to do it.
CES is the most influential tech event in the world - the proving ground for breakthrough technologies and global innovators. Join us as we uncover the key trends for 2022.
CES is the most influential tech event in the world - the proving ground for breakthrough technologies and global innovators. At this event we uncovered the key trends for 2022.
This new guidance sets out commonly agreed best practices that are simple to implement and can drive significant time and cost savings. It is recommended reading for both senders and receivers of VOD content.
Every year, the HPA Tech Retreat brings together a world-class roster of well-known and emerging leaders in engineering, technology, creativity and business.
How will a media industry focused on survival and redefinition become more adaptable and accepting of risk in order to both survive and thrive throughout 2021? Find out in the DPP 2021 Predictions.
What do trends from this year’s Consumer Electronics Show mean for media? Discover a business-led tech revolution - from which consumers will be the beneficiaries.
Come and celebrate the outstanding talent, skills, expertise and achievements of exceptional women across the broadcast technology and services sectors!
IMF for Advertising increases speed and efficiency, and decreases storage requirements. Find out how you can get involved in live tests of real ads from creative agencies to demonstrate these benefits.
How can consumers gain access to the content they want, when they want, at the quality they want? Our penultimate Design for Tomorrow webcast asks the experts.
Viewers now demand content on their terms, on their devices, and with a first class user experience throughout. Distribution: Delivering for audiences identifies six key success factors for forward looking distribution businesses.
This Design for Tomorrow report explores how the events of 2020 have impacted the world of production, and how companies will now need to set up for success in the future.
Content companies need their content inventory to be usable and accessible - from anywhere. Find out how this can be achieved in the next Design for Tomorrow webcast.
A new DPP report, Key Design Principles, provides practical guidance, and five foundational components, for any organisation determined to build back better from the turmoil of 2020.
At the DPP AI in Media Challenge we heard pitches from the startup and tech community about AI solutions to real business problems expressed by content providers.
What should your security priorities be post-pandemic? We heard from experts who are already looking at the new approaches to protection, privacy and piracy in this exclusive webcast.
Ahead of the AI in Media Challenge we held an exclusive event for the solution providers taking part in the Challenge. Find out what they discussed here.
DPP Innovation Week is an opportunity for DPP members to showcase their latest innovations, and for technology users to learn about what's new, without needing to do hours of research.
At this extraordinary moment in history, we wanted to capture in real time how people felt - from start of lockdown, to the gradual return to more familiar working.
Why doesn’t remote working feel the same as flexible working? What kinds of workplaces do we need now, and in the future? And how can we do more, not less?
How do trends from the world’s most famous technology show affect the media and entertainment industry, and how have they changed over the last decade?
Technology is making the world seem smaller, yet perhaps now more than ever, audiences want their locality and their culture reflected in the media they consume.
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